Italian 1494-1557 Jacopo Pontormo Galleries Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer.  Related Paintings of Jacopo Pontormo :. | Portrat einer Dame mit Spindelkorbchen | Joseph being Sold to Potiphar | Punishment of the Baker | The Virgin and Child with Four Saints and the Good Thief with (mk05) | Anbetung der Heiligen Drei Konige |
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Eanger Irving Couse
American Painter , b.1866 d.1936 was an artist and founding member of the Taos artists colony in Taos, New Mexico. Couse was born in Saginaw, Michigan, where he first started drawing the Chippewa Indians who lived nearby. Couse attended the Art Institute of Chicago, and the National Academy of Design, New York. He left for Paris to study at the Ecole des Beaux-Arts and Academie Julian under Bouguereau. He lived in France 10 years, where he painted charming scenes of the Normandy coast. After his return to America he devoted himself to depicting the life and habits of the Taos Indians, a pueblo tribe in New Mexico. He reveals the poetical and philosophical rather than the savage and warlike side of the Indians, and his skillfully executed pictures are full of sentiment.
William Salter
painted Sketch of the 1836 Waterloo Banqet by William Salter in 1836
Rodrigo de Villandrando
Rodrigo de Villandrando (1588 - December 1623) was a court painter during the reign of Philip III of Spain. He worked in the tradition of Alonso Senchez Coello and Juan Pantoja de la Cruz. His death opened the road to court for the young painter Diego Velezquez from Sevilla.